WELCOME TO RETROFANTASMA!

A monthly film series of double-features dedicated to bringing classic horror movies back to the big screen in 35mm! Created in 1998, RETROFANTASMA has developed a large dedicated audience of horror movie enthusiasts whose desire to see their favorite terror flicks is matched only by their willingness to cheer at the screen.

From John Carpenter to Dario Argento to Lucio Fulci, this diverse film series offers it's audience a joyful jolt of terror and nostalgia. You'll likely find yourself screaming and applauding in the same breath. Before long, you'll be joining the thousands of people who have whispered in the dark to their friends, "Did you ever see the one where....?" Much like the infamous midnight screenings of The Rocky Horror Picture Show, The RETROFANTASMA Film Series is pure devilish fun for anyone who loves the mysterious.


DRACULA
(NR, 1931, 75 min.)
Friday, February 3rd
7:00 p.m.



Relive the horror, the mystery, and the intrigue of the original 1931 vampire masterpiece starring Bela Lugosi and directed by Tod Browning.  Enter Professor Van Helsing, Renfield, Mina, Lucy, Jonathan Harker and all the characters who have now become classics.  If you’re a true horror aficionado, you owe it to yourself to experience Dracula in 35mm on the big screen.
Link to movie trailer
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THE WOLF MAN
(NR, 1941, 70 min.)
Friday, February 3rd
Begins 15 minutes after the end of Dracula



The original horror classic that introduced one of the screen's most infamous monsters! Lon Chaney, Jr. portrays Larry Talbot who, on one fateful night, is bitten by a werewolf and suffers the classic fate of the victims of lycanthropy.  During the next full moon, he turns into a werewolf; a transformation ingeniously devised by makeup maestro Jack Pierce.
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What Jim says…
Many of horror’s well-known conventions like creaking staircases, the swirling mist, and creepy cobwebs originated from these Universal Pictures’ films. There are so many opportunities out there to see the Friday the 13ths, Halloweens, and Evil Dead trilogies of the world in theatres. Some people believe they’re improving their film backgrounds by attending these trusty stand-bys, as if seeing The Exorcist on the big screen during Halloween is a unique film-going experience. They’re fun movies, to be sure; but nothing rare.  In March 2011, we screened 1942’s Cat People.  It was the oldest film we’d ever shown (as well as one of the hardest 35mm prints to obtain) and, unfortunately, one of the lowest-attended programs in the series’ history. Is there a paying audience for these types of B&W films, I wonder?  Why bang my head against these fortress walls if so few people care to see “old movies” on the big screen?  No self-respecting horror series can hold its head high until they’ve screened the Universal Monsters series, that’s why.



CHILD'S PLAY
(R, 1988, 87 min.)
Friday, February 24th
7:00 p.m.



Horror maestro Tom Holland (Fright Night) brings wit and devilish energy to this scare-fest about a murderer (Brad Dourif) who wills his soul into an innocuous doll named Chucky, and reveals himself only to the toy's owner, a frightened little boy. When an ensuing rampage of gruesome murders leads a detective (Chris Sarandon) back to the same toy, he discovers that the real terror has just begun!
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IT'S ALIVE!
(PG, 1974, 91 min.)
Friday, February 24th
Begins 15 minutes after the end of Child's Play



A young couple joyously awaiting the birth of their newborn is in for a horrifying surprise in this thrilling low-budget '70s tale of terror which went on to gain cult status and spawn two sequels.  Featuring genuinely creepy creature effects by make-up artist Rick Baker (King Kong, Star Wars), and a marvelously effective score by legendary composer Bernard Hermann (Psycho, The Birds).
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What Jim says…
It’s hard to believe, but back in 1988, Child’s Play was sold as a legitimate horror movie and not the jokey, horror-comedy it later became in sequels.  (A fate that also befell Freddy Krueger.)  I recall parent’s groups enraged over the alleged violence towards children in this film.  In the late-80’s, parent’s groups were always in an uproar about something.  I knew their gavel-thumping had crossed into the national zeitgeist when Bloom County’s Bill the Cat and Steve Dallas argued with Tipper Gore during a congressional hearing to protest the lyrics of Deathtöngue’s ”Let’s Run Over Lionel Ritchie with a Tank.”  To those of us in our early-20’s in the late-80s, however, Child’s Play wasn’t a politically-charged statement but merely a rollicking, creepy time, and it did not disappoint.  As a double bill, I wanted to screen 1972’s The Other or 1980’s The Godsend.  (No prints, same news.)  It’s Alive nicely complemented the theme of this program.  I’m uncertain if parent’s groups protested this 1974 film but, if they did, it would not be surprising.



BLUE VELVET
(R, 1986, 120 min.)
Friday, March 23rd
7:00 p.m.



David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism, and madness.  Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. Drawn into the brutal world of voyeurism and sex, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil.
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BLOW OUT
(R, 1981, 107 min.)
Friday, March 23rd
Begins 15 minutes after the end of Blue Velvet



Blow Out is Brian De Palma’s heart-stopping adventure hailed by Rolling Stone as "an American moviemaking triumph!" John Travolta is a soundman who accidentally tapes an automobile crash that kills a presidential candidate and injures his mistress (Nancy Allen).  Now, he must fight to stay alive as they uncover an explosive political conspiracy that sends shockwaves to the highest levels of government.
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What Jim says…
I’ve read that Producer Dino De Laurentiis had to set-up his own distribution studio, D.E.G., in order to get Blue Velvet into theatres, because no other studio would touch it.  On first viewing in 1986, I didn’t think of Blue Velvet as a horror movie.  I wasn’t sure what to think of it.  Driving home, however, my mind was so engrossed and distracted by the images I’d seen that I almost rear-ended another car at a stoplight.  It’s the first---and only---time in my life that a film almost caused me to suffer a car accident. Blue Velvet is a brutal, psychosexual thriller and not meant for the meek. Its inclusion in Retrofantasma signifies an intentional programming shift on my behalf to broaden this series beyond traditional science fiction and supernatural flicks. I selected Brian De Palma’s Blow Out, a dark conspiracy thriller, as the second feature because it’s so unlike all of his earlier works, and it’s not a true horror movie. I’m hoping our audience will consider this very different Retro program.



THIS ISLAND EARTH
(NR, 1955, 87 min.)
Friday, April 6th
7:00 p.m.



One of the most ambitious science fiction films of the 1950s!  Atomic scientist Dr. Meacham is chosen to take part in a top-secret research experiment, but soon discovers he is really involved in a scheme to take over Earth by a monster with a giant brain for a head and massive claws for hands!  Featuring incredible special effects that were 2 1/2 years in the making, this is one adventure that you have to see to believe!
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WAR OF THE WORLDS
(G, 1953, 85 min.)
Friday, April 6th
Begins 15 minutes after the end of This Island Earth



Visionary producer George Pal brought the classic H.G. Wells story of a Martian invasion to the big screen, and it instantly became a science fiction classic. It's a work of frightening imagination as formations of alien ships wreak destruction around the globe and the military is helpless to stop this enemy while scientists race to find an effective weapon.
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What Jim says…
I’m not sure what more I can say about the appearance of this program except it’s a collection of two of the greatest science films of the 1950s ever produced.  Programming such as this is the epitome of why we created this series in the first place.  All the major themes are in their proper place: apprehension towards the upcoming space age, mad scientists, the discovery of nuclear energy, and creepy monsters.  In their own way, these films were the Star Wars and Close Encounters of their time; popular and fantastic, big-budget Hollywood entertainment. It’s interesting to note that one of the highest-attended Retrofantasma Classics programs happened in January 2011 during The Thing from Another World and Forbidden Planet. The opportunity to present another combination of high-quality science fiction films was irresistible. How much longer before these 35mm prints are no longer available to movie theatres? As an added bonus, the print of This Island Earth comes from the Universal Pictures’ rare archives and promises to be in mint condition.



CURTAINS
(R, 1983, 89 min.)
Friday, April 20th
7:00 p.m.



Six beautiful actresses gather in a remote New England mansion to vie for the most important role of their careers.  Infamous director, Jonathon Stryker, is casting the lead role for his newest horror film, Audra.  As the weekend unfolds, with Stryker's dominance fuelling an explosive atmosphere, the trapped and terrified women are mysteriously murdered.  Only one will survive to be cast before the final curtain falls.
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THE BEAST WITHIN
(R, 1982, 98 min.)
Friday, April 20th
Begins 15 minutes after the end of Curtains



The Beast Within is a great, bloody piece of big-budget, early 80s Hollywood terror.  Ronny Cox (Robocop) is a father out to find learn the horrible truth about his son. Junior is the spawn of a mutant-rapist that attacked his mother 17 years earlier. Now, several grisly murders may be connected to this awful past event.  Tom Holland (Fright Night) wrote the script while Tom Burman (Cat People) delivers the gory transformation FX!
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What Jim says…
I could book bigger titles, but it’s the mostly-forgotten movies from early 80s that come to mind when I think of the word, “Groovy.”  Films like Humanoids from the Deep, Sweet Sixteen, Fear No Evil, Spasms, Venom, Scalps, and so many more.  Several years ago, we created The Groovy B-Movie Weekend, and programmed some of these lesser-known gems.  It was time to bring this concept to Retrofantasma.  Originally, I’d considered an altogether different program with titles such as Attack of the Killer Tomatoes, The Wraith, Flowers in the Attic or Killer Fish.  Ultimately, I chose a little-known Canadian film, Curtains, because it had some great reviews and my memory of having seen it on HBO almost 30 years ago was a good one.  And remember the short film, The Horribly Slow Murderer with the Extremely Inefficient Weapon?  The star of that film, Paul Clemens, was 24-years old when he was cast as the lead in The Beast Within.  And come on, it’s a movie about a killer cicada.  It doesn’t get any groovier than that, right?



ROLLERBALL
(R, 1975, 125 min.)
Friday, May 4th
7:00 p.m.



The year is 2018. There are no wars. There is no crime. There is only the Game.Tuned to their televisions, the people watch Rollerball: a brutal mutation of football, motocross and hockey where violent death is part of the entertainment. James Caan is a long-standing hero of the sport, becoming dangerously popular. He is ordered to retire. He refuses. Tilt.
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FAHRENHEIT 451
(NR, 1966, 114 min.)
Friday, May 4th
Begins 15 minutes after the end of Rollerball



The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. The society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is now to destroy illicit literature with flame throwers. Fahrenheit 451 is the temperature at which books are reduced to ashes.
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What Jim says…
For years, MGM claimed that no 35mm prints of Rollerball existed in their vaults. Imagine my surprise when one was suddenly discovered. But what to pair as the second feature? Death Race 2000 came to mind, but its campy tone seemed too far removed from the realism established by Norman Jewison’s film. I also considered Michael Crichton’s Westworld but, once again, no prints existed. The theme of society rebelling against an Orwellian future began to take shape. 1984, obviously, would have been the perfect solution. Alas, no prints. I’ve never read Bradbury’s novel or seen Truffaut’s film but, after some extensive research as well as contacting the Universal Pictures’ archives, Fahrenheit 451 became a strong contender. Much like last year’s double bill of Cape Fear and The List of Adrian Messenger, I’m particularly proud of this program. It’s headier, I suspect, than our traditional offerings of William Castle or Hammer double features, and that’s intentional.



STARMAN
(PG, 1984, 115 min.)
Friday, May 18th
7:00 p.m.



Starman is John Carpenter's warmest film, and the only one that ever earned an Oscar nomination. That honor went to Best Actor nominee Jeff Bridges for his performance as an alien visitor who assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen). Together, they take an interstate road trip to rendezvous with a mother ship from his home planet.
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RUNAWAY
(PG-13, 1984, 101 min.)
Friday, May 18th
Begins 15 minutes after the end of Starman



Written and directed by Michael Crichton, Runaway is set in the near future, when robots do most daily chores, but often break down and damage people and property. Sergeant Jack Ramsay (Tom Selleck) is in charge of shutting down "runaways." With his new partner, he stumbles upon a scheme by an evil scientist (Gene Simmons) who's unleashed a torrent of killer robots upon an unsuspecting city!
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What Jim says…
Christmas 1984 was overstuffed with high-profile movies. Beverly Hills Cop, 2010, and City Heat opened on the same day.  One week later, we received Starman, Runaway, Dune, and The Cotton Club. I remember the TV ads for Runaway and Starman. That Christmas, every commercial break was touting Carpenter’s alien love story or Tom Selleck’s futuristic thriller, and not just as any ordinary films, but as the most important movies for 16 year-old boys of all time! All of us thought these ads were pointless, because everyone knew that Dune was gonna be the biggest movie of the season, maybe the biggest movie of all-time; Star Wars-big. (What did we know?) Movies taught my generation that the future was going to be shiny, metallic, and pointy. Runway and Starman were no exception, except now the future would also have pointy, metallic, killer robots and aliens who looked like that guy who starred with Farrah Fawcett in 1978’s Somebody Killed Her Husband. What more could you ask for, the ads cooed?



PLANET OF THE VAMPIRES
(NR, 1965, 88 min.)
Friday, June 1st
7:00 p.m.



Italian horror master Mario Bava directed this classic science fiction story that follows the horrific experiences of the crew members of two giant spaceships that have crash landed on a forbidding, unexplored planet. The disembodied inhabitants of the world possess the bodies of the crew who died during the crash, and use the animated corpses to stalk and kill the remaining survivors.
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BARBARELLA: QUEEN OF THE GALAXY
(NR, 1968, 85 min.)
Friday, June 1st
Begins 15 minutes after the end of Planet of the Vampires



Here is Roger Vadim's sexy sci-fi opus to the 1960s starring his then-wife Jane Fonda.  Set in the 41st Century, Barbarella goes in search of the evil renegade scientist Duran Duran and instead manages to shag half the planet! See Barbarella demolish the amazing Orgasmatron and get herself locked into a funky chamber of dreams!  See Barbarella save the day with a bubble of goodness.
Link to movie trailer
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What Jim says…
I love selecting the classic trailers that screen before every film because they give me ideas for future programs.  Take Planet of the Vampires, for instance.  It was a random trailer that played before King Kong vs. Godzilla last October.  Sure, I’d heard of the film but could have never anticipated the audience reaction once its trailer started playing.  People cheered and applauded; a reaction more common for things like The Shining and Evil Dead 2.  But Planet of the Vampires?  It’s moments like this when my job becomes easy.   If you’re wondering, there’s been just one trailer that received a greater pop than Planet.  It was for 1968’s The Green Slime, although I suspect it has more to do with that film’s catchy theme song than anything depicted on the screen. (No prints, says Warner Brothers.)  Because it’s the start of summer, I figured a fun program was in order.  Thus, Jane Fonda debuts at Retrofantasma. (Yes, Ms. Fonda’s debut would have been more appropriate in 1971’s Klute, but there’s no prints of that film, so Barbarella it is.)



JAWS
(PG, 1975, 125 min.)
Friday, June 22nd
7:00 p.m.



One of the greatest horror movies of all time returns…just in time for beach season.  Amity Island is terrorized by surprise attacks from a great white shark.  Three unlikely partners team up to hunt down the rogue and destroy it: the new chief of police from New York (Roy Scheider), a young university-educated oceanographer (Richard Dreyfuss), and a crusty old-time fisherman (Robert Shaw).
Link to movie trailer
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KING KONG
(PG, 1976, 134 min.)
Friday, June 22nd
Begins 15 minutes after the end of Jaws



Jeff Bridges and Jessica Lange star in this ambitious remake which adds a great deal of fun to the story. It’s silly to compare this version of King Kong with the original. Each is representative of the times in which they were made. And yet, there is a splendor in watching the gargantuan ape battle attacking aircraft above the streets of New York City…from atop the twin towers of the World Trade Center.
Link to movie trailer
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What Jim says…
Hard to believe, but it has been three years since we last ran Jaws at Retrofantasma. Jaws is credited with the creation of wide platform releases and summer blockbusters, but give me a break. I could play a lot of cards to explain its inclusion, but none are necessary. It’s a classic about a man-eating shark, and that’s all that matters. When it was released at Christmas 1976, King Kong was the movie that was supposed to topple Jaws as the all-time box office champ. It didn’t. And yet, the film was still the 3rd highest-grossing movie of the year.  (Rocky was #1.) I’ve spent more than a decade looking for a 35mm print. Finally, Paramount agreed to loan us the last surviving copy which, until late 2011, I’m convinced they were not even aware existed. Special shout-out goes to Matt House for being such a fan of this movie that his enthusiasm caused me to hassle Paramount into combing their warehouse for a print. Incredibly, both movies inspired children’s toys. We’ll have a rare King Kong Board Game on display at the show.


 
   
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